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Jones's blackly humorous first novel, set on the Cooter family's failing dairy farm in New York State, is firmly grounded in the gothic tradition. Wryly narrated by 10-year-old Ollie Cooter, it blends frequent hilarity, startling violence and a gripping plot. Ollie's uncles, coarse rednecks nicknamed Hooter and Looter, are keeping their senile father's farm afloat while Ollie's hypochondriac dad Scooter is a traveling peddler of top-notch bull semen. Their jaded 13-year-old sister Mary Jean, Ollie's aunt, is his constant companion; with her, Ollie confusedly notices the symptoms of sexual awakening. Fear and evil soon engulf the Cooter farm: Scooter's imagined maladies and refusal to defend himself against Hooter's relentless jibes alienate his wife; Hooter is incestuous, adulterous and homicidal; Mary Jean discovers "The Power," a malevolent force that inhabits an abandoned house, and enlists Ollie's help in releasing it with instructions to kill Hooter. Mary Jean and Ollie's helplessness, Hooter's lack of remorse and the suffering wrought by The Power--perhaps ghost, perhaps defense mechanism--arouse childhood angst and terror in this alternately amusing and tragic coming-of-age tale.
Publishers Weekly


Praise

"The Cooter Farm will remind readers of John Irving one minute, Joyce Carol Oates the next. An altogether remarkable debut."
— Gene Lyons, Entertainment Weekly

"Dickens and Irving are high standards against which to measure any novel, let alone a debut. It's a tribute to The Cooter Farm that those are exactly the comparisons it invokes."
— Steven Kane, Los Angeles Daily News

"'The Cooter Farm' is a novel that defies categorization. It brings together elements as diverse as the black humor of Flannery O'Connor, the rude hilarity of Kurt Vonnegut, and the nostalgia for childhood of Harper Lee. A truly amazing first novel."
— Sharon Lloyd Stratton, Richmond Times Dispatch

At once a poignant coming-of-age-tale liberally laced with gothic overtones and a serious consideration of social issues with a hint of absurdity that smacks of James Thurber…this is a bold first novel that promises a great future for a bright young writer.
— Library Journal

"The Cooter Farm is a stunning novel, first or otherwise. I read it in one long gulp, scarcely pausing to breathe. It seems to me Matthew Jones brings the Southern Gothic tradition to rural New York with his powerful storytelling ability, his ferocious humor, and his poignant pity for a family and a way of life in the process of self-destruction, or perhaps, more optimistically, self transformation."
— Lisa Alther, author of Original Sins and Kinflicks

"The Cooter Farm is a tale that suffers in the summation. In the original, it is a book filled with characters so realistically drawn they threaten to jump off the page. Rarely is a first effort so powerfully and compellingly written, so ambitious in its scope and so successful in living up to its ambition."
— Curt Schieier, Grand Rapids Press

"The Cooter Farm" is a fantastically original and accomplished first novel.
— Fort Lauderdale Sun Sentinel





Matthew F. Jones is the author of the critically acclaimed novels The Cooter Farm, The Elements of Hitting, A Single Shot, Blind Pursuit, Deepwater, and Boot Tracks, as well as a number of screenplays, including adaptations of Boot Tracks and A Single Shot, both currently in production. His novel, Deepwater, was made into a film in 2005. He was born in Boston and grew up in rural upstate New York. He lives in Charlottesville, Virginia with his wife, Karen and son, Reuben.

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